The items featured include music from ten different tribes within the Republique Centrafricaine, mostly from the regions around the capital Bangui. The descriptive matter is printed in both French and English. The quality of this recording as well as its presentation is well up to Ocora standards. The music is interesting and the photographs of the performers admirably illustrate the text
This is a selection from “the many hours of music†recorded by the “Africa Project†teams of t...
With the end of 1958, the Library has now successfully completed its first experimental five year pe...
Early pictorial documents are generally considered to have a controversial ethnographic source value...
What is most striking about the whole disc are the many similarities in style of the non-liturgical ...
The advent of a series of this nature is warmly to be welcomed. The selection of Swazi songs is as r...
Boris Konietzko, a dealer in African Arts and Artefacts, has spent many years travelling in Africa. ...
Some first-class music recorded in Burundi in April/May, 1967, by Michel Vuylsteke, and reproduced w...
This disc of regional documentations is recorded by Simka Arom during research carried out for the D...
If it is conceded that modern forms of African Music deserve the interest of the musicologist we mus...
A disc of recordings made by Father Tempels from 1944 to 1950, with musicological notes by Jos Ganse...
This well recorded L.P. is also the product of a filming team in Africa. With less crew and less dol...
Through the kindness and invitation of the Resident Commissioner of Swaziland, Mr. Brian Marwick, th...
A most important step forward in the research into African music has been made this year by the esta...
This paper introduces a unique collection of roughly 700 historical recordings of African popular mu...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
This is a selection from “the many hours of music†recorded by the “Africa Project†teams of t...
With the end of 1958, the Library has now successfully completed its first experimental five year pe...
Early pictorial documents are generally considered to have a controversial ethnographic source value...
What is most striking about the whole disc are the many similarities in style of the non-liturgical ...
The advent of a series of this nature is warmly to be welcomed. The selection of Swazi songs is as r...
Boris Konietzko, a dealer in African Arts and Artefacts, has spent many years travelling in Africa. ...
Some first-class music recorded in Burundi in April/May, 1967, by Michel Vuylsteke, and reproduced w...
This disc of regional documentations is recorded by Simka Arom during research carried out for the D...
If it is conceded that modern forms of African Music deserve the interest of the musicologist we mus...
A disc of recordings made by Father Tempels from 1944 to 1950, with musicological notes by Jos Ganse...
This well recorded L.P. is also the product of a filming team in Africa. With less crew and less dol...
Through the kindness and invitation of the Resident Commissioner of Swaziland, Mr. Brian Marwick, th...
A most important step forward in the research into African music has been made this year by the esta...
This paper introduces a unique collection of roughly 700 historical recordings of African popular mu...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
This is a selection from “the many hours of music†recorded by the “Africa Project†teams of t...
With the end of 1958, the Library has now successfully completed its first experimental five year pe...
Early pictorial documents are generally considered to have a controversial ethnographic source value...
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